However, what they don’t know is that Vinz picked it up and has it in his possession, and when Vinz, Hubert, and Said get into a scuffle with a group of racist skinheads, the circumstances seem poised for tragedy.Ī work of tough beauty, La Haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis. One day, a street riot breaks out after police seriously injure an Arab student the three friends are arrested and questioned, and it is learned that a policeman lost a gun in the chaos.
They hang out and wander the streets as a way of filling their days and are sometimes caught up in frequent skirmishes between the police and other disaffected youth. Vinz (Vincent Cassel), who is Jewish, Hubert (Hubert Kounde), who is Black, and Said (Said Taghmaoui), who is Arabic, are young men from the lower rungs of the French economic ladder they have no jobs, few prospects, and no productive way to spend their time. In 1995, Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts. Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Said - a Jew, African, and an Arab - give human faces to Frances immigrant populations, their bristling resentment at their social marginalization slowly simmering until it reaches a climactic boiling point.
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